“The real work of destruction had been done long before by satire, libel and rumour; Marie Antoinette had become dehumanized. The actual assault by a body of people inspiring each other with their bloodthirsty frenzy was the culmination of the process, not the start of it.”
I remember back in the day when Paris Hilton’s exploits were splashed all over the tabloids, people would whine that she was only famous for being famous. Then the Kardashian family took that hustle to a whole new level. But this isn’t a millennial generation phenomenon. Socialites exist across cultures and generations. There are always women (and it’s almost always women) who become subjects of breathless press attention and the center of often completely made-up gossip. And in Europe back in the day, those people were aristocrats.
Royal families, of course, are the ultimate celebrities. They’ve been the center of national and international attention from time immemorial. And there are few royal personages who have been more famous than Marie Antoinette. In her Marie Antoinette: The Journey, Antonia Fraser presents the life of the title subject, a woman who didn’t even make it to 40 but still looms large in our cultural imagination. And first things first: Fraser debunks in the prologue the myth of “let them eat cake”, looking at historical sources to ascertain that the same words had been attributed to unpopular upper-class French women several times previously.
What emerges from the well-researched work is a portrait of a disaster that would have been difficult to avert unless the people involved had been truly extraordinary. And unfortunately, Marie and her husband, Louis XVI, were unsuited for both each other and the circumstances in which they found themselves. Marie, born Archduchess Maria Antonia of France, was charming, graceful, and eager to please but a poor student of anything outside of music. Louis-Auguste was awkward and though bright, poured his energies into locks and hunting. Their failure to consummate their marriage and produce an heir until seven years after the fact made them the subjects of vicious, back-biting gossip which continued throughout their reign, with Marie as a particular target. According to the rumors, she was a lesbian who had flings with her favorite ladies-in-waiting, or she was being unfaithful to the king with various and sundry men, including Swedish Count Axel Fersen (who it is likely she actually had an affair with). Even as the French Revolution loomed, the royal couple refused to leave France until it was too late, and as we all know, they lost first their crowns, and then their heads.
Biographies of historical figures range the gamut from fact-intensive, can’t-see-the-forest-for-the-trees tomes to light and gossipy and style-over-subtance. Fraser manages the tricky art of having clearly done her homework, referencing many primary sources, while not forgetting to make sure that the book is ultimately appealing to readers. She ties in larger historical movements and personalities to Marie’s story, giving sufficient context to her audience for understanding while not letting herself get drawn too far into tangents that would distract from the narrative arc she builds for Marie. It helps, of course, that her life was both well-chronicled and dramatic, soaring to the heights of wealth and luxury before plunging into despair and death. It’s sometimes dense, but ultimately compelling, with Fraser drawing out a real sense of a person underneath the facts. I found the book both entertaining to read and informative, and would recommend it to anyone interested in the subject!