“If the dead were truly to come back, what would they come back knowing? Could we face them? We who allowed them to die? The clear light of day tells me that I did not allow John to die, that I did not have that power, but do I believe that? Does he?”
Dates read: August 29-31, 2017
Rating: 8/10
Lists/awards: National Book Award, The New York Times bestseller
I’m very lucky in many respects, and one of them is this: my entire nuclear family is more or less healthy and very much alive. My parents, my sister, my brother-in-law, my husband…I’ve never experienced that kind of loss. My mom had lost both of her parents by the time she was my age, which just blows my mind. Even now, I don’t feel prepared to lose either of my parents, much less both of them. I know this will change, and one day I’ll find myself having to say goodbye to people that I love dearly, but for now I’m grateful.
I was reminded of just how lucky I am when I read Joan Didion’s memoir, The Year of Magical Thinking. In it, she recounts an incredibly terrible time: while their adult daughter Quintana is fighting for her life in the hospital, a normal-seeming winter cold somehow having progressed into pneumonia, septic shock, and coma, Joan and her husband John come home, and while she’s getting things ready for dinner, he suddenly keels over, dead after a massive heart attack. She doesn’t know that right at the moment it happens, of course. All she knows is that he falls, is non-responsive, she calls an ambulance, they try to resuscitate him, and then off to the ER. She finds out shortly after she arrives that he’s gone. Forty years of marriage, and then he’s gone just like that.
But she can’t just focus dealing with the loss of her constant companion for decades (as professional writers, they both worked from home). Her daughter is still comatose, and Joan has to break the news to her not once but twice (she forgets when she falls back into a coma after being told the first time). Quintana does seem to recover, the funeral happens, and she flies back to California with her own husband…only to collapse again on her way out of the airport. Joan leaves her NYC apartment to head to LA to be there for her daughter, and is constantly buffeted by memories of her family’s early, happy years in the area. Eventually Quintana recovers again, and Joan returns home, wrapping up her book a year and a day after her husband’s death.
On the surface, there’s very little in Joan Didion’s life that I can relate to: she and her husband lived at a level of financial security where they made regular trips to Paris (their quibbling over what turned out to be their last trip, taken at John’s insistence because he had a vague feeling that it might be his last chance is something Joan relates), they lived in LA for a time to write screenplays, they take daily walks in Central Park. And like I’ve said, I’ve never lived through the kind of awful experiences she recounts in this book. But she’s an extremely talented writer, so her words spoke to me and tugged at my heart. She doesn’t just tell you that grief takes you around in circles, she has motifs in her writing that pop up over and over again, taking you on that journey with her. You feel her agony when she thinks she’s plotted her route around LA when she’s there with Quintana to avoid anything that would remind her of when her husband was alive but she finds that she didn’t plan carefully enough and the fragile scar tissue she’s built up is battered by waves of memory.
It feels odd to say that I “enjoyed” reading a memoir about profound grief. But I found it incredibly compelling and difficult to put down even though it was hard to read. She really takes the reader on a journey with her. Knowing that even though she was alive at the end of the book, Quintana died shortly thereafter, made its impact even greater. I’d never read any of Didion’s work before, but I picked up one of her novels and two of her essay collections after reading this book, because I wanted to read more of her writing. I’d recommend this book to anyone that feels like picking it up.
Tell me, blog friends…do you have to relate to a memoirist’s experiences to get into their book?
One year ago, I was reading: Possession
Two years ago, I was reading: Stranger in a Strange Land
Three years ago, I was reading: Private Citizens